Nick Black


You could say Nick Black has the Delta Air Lines pilot shortage to thank for giving his music career a healthy foundation and a jumping off point for his solo career. Or you could dig a little deeper and find that a path was going to open up for this soulful young powerhouse to strike out confidently on his own one way or another. The former Victor Wainwright and the WildRoots guitarist grew up in Memphis, TN and music played a big part in his early upbringing. “Music was always a major influence on the mood in our house growing up. It always seemed like there was something pumping through the stereo,” said Black. He grew up singing in church and at school, started piano at nine and picked up both trumpet and guitar about the same time at age twelve.

Black reminisces about the “hair metal” bands he played in during his teen years. “I think the band went through four or five different names, all of which had more than four syllables, and none of which I actually remember. Parabolia, maybe? Sixteen year olds think a good band name can make or break you, so it’s best to make it as long as possible,” jokes Black. Hair metal segued into neo-soul, hip hop and later into R&B, coming full circle as Black “rediscovered” Memphis music. “I’d grown up hearing it all my life, but something just clicked as I got older and really began to understand it. It was blues, R&B and gospel from then on.”

As a Music Business major at University of Memphis, Black hoped to back up his love of music with some sound business acumen. “I met some lifelong friends in that program and it afforded me the time I needed to figure out how to make my dream of doing music for a living become a reality,” he said. The hand of the musical gods reached down for the first time while Black was a student interning at the Folk Alliance International Conference in Memphis, TN in 2009. Black caught Wainwright’s performance purely by accident and was transfixed. “He somehow got the entire room to be completely silent during one of the songs he did. I knew I wanted to learn how to do that,” recalls Black. The two met, ate barbeque and got along like old friends immediately.

Cue the Delta pilot shortage in the spring of 2011. “A gentleman named Greg Gumpel was Victor’s guitar player before I joined the band. He was asked to come back and fly for Delta because they were short staffed. I was in the right place at the right time, and got asked to come on as their permanent guitar player.” Black explains.

Touring with Victor and the WildRoots was a way for Black to not only prove his chops, but to gain exposure to a whole new world of influences. His early guitar idols included the proverbial Stevie Ray and Jimi. “During my hair metal days I tried to play as many notes as quickly as I could,” jokes Black. Those old faves made way for new ones when he started touring with Victor. “The moment I heard Albert Collins, my heart skipped a beat, and Freddie King knocked my socks off.” But no one made an impression that went as deep as the legendary B.B. King. “He was true simplicity and a downright gentleman on the guitar. He always seemed to surpass what you thought he would, and I think he was actually surprising himself most of the time! Even now that I’m transitioning toward my own music, I still play like B.B. It’s like an old friend you grew up with.”

Black refers to his debut album, “The Soul Diaries”, released in late 2012, as being “very Memphis-influenced”, an homage to Al Green, Otis Redding and B.B. King and the early voices of Stax Records. Early reviewers said the album was “like Frank Sinatra and Al Green had a twenty-five year old.” His second album, “Deep Blue”, circa Fall of 2015, is altogether different as Black leaves his love of guitar behind for piano and keyboards. “Sometimes the songs I write need a different emotion behind them. Guitar doesn’t always convey smoothness easily. That’s why I switch to piano on songs like “Don’t Leave Louise” and let my keyboard players take the lead on songs like “Let’s Be Glad” and “Ocean”. It would be plain old wrong of me not to feature the incredible musicians I work with day after day!”

Those musicians include Chris Styles on bass, a friend from Black’s neo-soul days, Darryl Sanford and Mike Sweep on keyboards, and Marlon Mitchell on drums. “Marlon is an asset for two reasons, his playing and his biceps,” said Black. Black’s horn section is Nathan DuVall on trombone and Randy Ballard on trumpet, both of whom have been with Black since the early years. “They’ve stuck through so much with me, and they’ll both play me under the table on a nightly basis. But they’re gentle about it,” he adds.

In the video for “Ocean”, Black goes on a tongue-in-cheek search for water of the “Water, water, everywhere and not a drop to drink” kind. He is a fresh-faced kind of handsome, rocks a man-bun, and gets chased hearthrob-style through the streets of Memphis by a hand held camera with surprising results. He is an old soul, an old-school entertainer and, yes, this guy can play guitar. He is at home in front of the camera, creating a semi-weekly video series, “Nick Black Friday, with a theme song reminiscent of Pee-wee’s Playhouse. His marriage proposal to now-wife Lena Wallace Black was done with the backing of a full orchestra in front of an audience of friends and family members and is now a YouTube video. Nick Black is finding his niche and having fun doing it.

Although he will join Wainwright for occasional gigs down the road, Black explains the timing of his decision to break out on his own and begin his career anew: “We don’t know what drives us to do the things we do,” said Black. “I’m trying to do something big and bring what I’ve learned from being in Victor’s band. I’m putting everything on the table, it’s just something I have to do.”

—Julie Canapa / Photo by Laura Carbone

NB at the Memphis Grizzlies vs. OKC Thunder Halftime Show


The band and I couldn't have been more proud to be Memphians this past Tuesday. Astounded, honored, happy, however you want to say it. It was simply awesome. 

At halftime we played a new song called "Ocean" off of my next album. We got so much love on Facebook and Instagram that I feel absolutely compelled (mainly because of the loving, yet quite forceful demands for it) to share the video footage we got! 

We love you all so very much! Check out the video below of the band performing "Ocean". We'll see you out there!

And oh yeah...GRIZZNATION!!!!

- Nick

Review: Silver Michaels

"The Soul Diaries"

Nick Black is thought of by most as one of the rising young stars in the Memphis music scene. Both as the guitarist for bluesman Victor Wainwright's band and as the frontman for his own neo-soul ensemble, Black has been delivering a healthy dose of quality music for some time now. As such, the release of his first solo recording has garnered a lot of attention and anticipation... and now that the album is upon us, it was well worth the wait!

While the album is very cohesive in feel and mood, it is anything but repetitious. The opening track (and also the first focus song of the release) "Confirmation" grabs the listener right away with punchy horns and an uptempo celebration of Black's intense love affair and devotion for music. Lines like "though the road I'm on will take me there/I'm in desperate need of transportation" convey both his commitment to making himself a continually better musician and the joy the search provides him; it's as fine an opening track as you could ask for.

From the punch and drive of the opener, Black segues effortlessly into "You & Your Love," an easy midtempo tune that reeks of summer and Memphis soul. I particularly like the vocal on this track; it showcases Black's tonal and emotional range nicely, and he plays himself perfectly off the production, again utilizing horns and an easy groove. I could easily see this track as a very solid summertime classic. Conversely, "Fairweather Friend" is an absolutely aching ballad. It's rare when a man can command such a broad range of emotion, but again, Nick delivers. The melody and words are a perfect lament wrapped in possibly the showcase production effort on the album.

Later in the album, "Sucker By Nature" reveals yet another side of Black's musical personality, a very slinky, urban-savvy piece of work that incorporates some of his strongest lyrics. The track benefits greatly from a variety of elements; the production again is top notch with a sort of ominous, mysterious edge to it, and the rap and backing vocals from Butta MD are a perfect compliment to the piece. I'd call this one my favorite, but I'm having a small problem... that being I've listened to this release several times now and found a "new favorite" with every listen.

The ebb and flow of feel and emotion continue throughout the rest of the release. Even having seen many of his performances, I'm amazed at the variety of styles Nick handles, and the ease with which he handles them. "Lover For Life" is another medium tempo summery ballad, and again it drips with soul (and some of my favorite guitar work on the album as well). The pendulum swings again with "Take It Back," another showcase for Black's slow ballad wizardry both in composition and performance. "Mockingbird" was almost a trip down memory lane, as it's the first piece I ever heard from Nick, thanks mainly in part to a very fine video that accompanied the song. Hadn't heard this in a while, and it's was nice to be reminded what a fine synthesis of pop, soul and pure raw emotion this is. No doubt on some days this will be the favorite...

Adding to my enjoyment of the record, I had the unique pleasure of witnessing four of the album's tracks created from point zero in the recording studio. My respect for Nick did nothing but grow during the process. His talent, his dedication, and yes, his pure love of music as a craft and as a lifetime companion became more evident with each passing track. Musicians love him, fans love him, friends love him...

...and I feel confident in stating that, given the chance and an honest listen, even total strangers will love this album. I thank you, Nick, for your friendship and all those fine qualities you exhibit; however, on this day, I thank you even more for "The Soul Diaries," as solid and timeless a debut album from an artist that I've had the pure pleasure of hearing in many a day!

- Silver Michaels, Memphis Music & Art Critic